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      Guild Records
Disc No: GMCD 7296
Why did the Portuguese composer Manuel Cardoso give the title ‘Paradisi portas’ (’The Gates of Paradise’) to the six-voice Mass which he placed at the beginning of his second book of Masses, published in 1636? These two words evoked for contemporary hearers the text of a responsory sung at Matins during the first week in Lent: ‘Paradisi portas aperuit nobis jejunii tempus…’ (translated above). But Cardoso cannot have intended his Mass to be sung on that day, or indeed during Lent at all, since he included within it a setting of the Gloria, a text omitted at Mass throughout Lent until Easter Day.
Price: Sek. 157
Name: Paradisi portas
 

       



Composer Name Performer
Lobo, Duarte (c. 1565-1646) Audivi vocem de cælo
       
The Choir Of The Queen’s College, Oxford - Owen Rees
Tom Wilkinson, Organ
Cardoso, Manuel (1566-1650) Kyrie (Missa Paradisi portas)
       
Cardoso, Manuel (1566-1650) Gloria (Missa Paradisi portas)
       
  Anonymous Obra de falsas cromáticas de 1o tono
       
Aviles, Manuel Leitão de (d. 1630) Tract: Adjuva nos
       
Cardoso, Manuel (1566-1650) Credo (Missa Paradisi portas)
       
Lobo, Duarte (c. 1565-1646) Pater peccavi
       
Cardoso, Manuel (1566-1650) Paradisi portas
       
Bruna, Pablo (1611-1679) Tiento de 1o tono de mano derecha
       
Cardoso, Manuel (1566-1650) Sanctus (Missa Paradisi portas)
       
Cardoso, Manuel (1566-1650) Sitivit anima mea
       
Cardoso, Manuel (1566-1650) Benedictus (Missa Paradisi portas)
       
Cardoso, Manuel (1566-1650) Agnus Dei (Missa Paradisi portas)
       
  Communion chant Manducaverunt, et saturati sunt
       
  Anonymous Tantum ergo sacramentum
       
Brito, Estêvão de (c. 1575-1641) Heu, Domine
       
Reis, Gaspar dos (d. 1674) Concertato sobre o canto chão de Ave Maria
       
Morago, Estêvão Lopes (c. 1573-after 1630) Jesu redemptor, suscipe illam
       
Olague, Martinho García de Verso do 1o tom
       
Aranda, Luis de (d. 1627) Quomodo sedet sola
       

Toccata, January 2009 Webmaster