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Disc: RIC 273
Fagotto, Basson,
  Dulcian, Curtal ?
Price: Sek. 82
Of all the instruments that were developed during the Renaissance, the bassoon undoubtedly possesses the most curious history. Associated with music in the open air, it was also praised for the sweetness of its sound, as certain of its names such as dolce suono show. The musicians of Syntagma Amici here explore its use as a family of instruments in polyphonic repertoire of the 16th century as well as in the first virtuoso pieces that were dedicated to it at the beginning of the 17th century.
       

ComposerOpusMusicKey Performer
Praetorious, Michael (1571-1621)   Ballet CCLXVIII a 4   Syntagma Amici - Jérémie Papasergio
Banchieri, Adriano (1568-1634)   Canzon sesta  
Salaverde, Fray Bartolomé de Selma y (1580-c.1640)   Vestiva i colli passeggiato basso solo  
Salaverde, Fray Bartolomé de Selma y   Canzona a due tenori  
Salaverde, Fray Bartolomé de Selma y   Corente, Balletto & Gagliarda a 2  
Guami, G   Canzona la Lucchesina  
Verdelot, P   Madonna, per voi ardo  
Mainerio, Giorgio (1535-1582)   Passé mezzo antico & saltarello  
Bassano, G   Nativitas tua dei genitirix  
Susato, T   Fagot  
Moderne, J   Basse dance & Tordion, Ricercar 14  
Caurroy, E du   Une jeune Fillette  
Böddecker, P F   Sonata sopra La Monica  
Selle, T   Domine exaudi orationem neam  
Ortis, D   Recercada sobre Doulce Memorie  
Bertoli, G A   Sonata settima  

Toccata, October 2009 Webmaster