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| Disc:
RIC 273 Fagotto, Basson, Dulcian, Curtal ? |  |
| Price: Sek. 160 |
Of all the instruments that were developed during the Renaissance, the bassoon undoubtedly possesses the most curious history. Associated with music in the open air, it was also praised for the sweetness of its sound, as certain of its names such as dolce suono show. The musicians of Syntagma Amici here explore its use as a family of instruments in polyphonic repertoire of the 16th century as well as in the first virtuoso pieces that were dedicated to it at the beginning of the 17th century. |
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| Composer | Opus | Music | Key | Performer |
| Praetorious, Michael (1571-1621) | Ballet CCLXVIII a 4 | Syntagma Amici - Jérémie Papasergio | ||
| Banchieri, Adriano (1568-1634) | Canzon sesta | |||
| Salaverde, Fray Bartolomé de Selma y (1580-c.1640) | Vestiva i colli passeggiato basso solo | |||
| Salaverde, Fray Bartolomé de Selma y | Canzona a due tenori | |||
| Salaverde, Fray Bartolomé de Selma y | Corente, Balletto & Gagliarda a 2 | |||
| Guami, G | Canzona la Lucchesina | |||
| Verdelot, P | Madonna, per voi ardo | |||
| Mainerio, Giorgio (1535-1582) | Passé mezzo antico & saltarello | |||
| Bassano, G | Nativitas tua dei genitirix | |||
| Susato, T | Fagot | |||
| Moderne, J | Basse dance & Tordion, Ricercar 14 | |||
| Caurroy, E du | Une jeune Fillette | |||
| Böddecker, P F | Sonata sopra La Monica | |||
| Selle, T | Domine exaudi orationem neam | |||
| Ortis, D | Recercada sobre Doulce Memorie | |||
| Bertoli, G A | Sonata settima |